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Welcome II the Terrordome (Criterion Collection) (ej svensk text) (Blu-ray)
Welcome II the Terrordome (Criterion Collection) (ej svensk text) (Blu-ray)
Welcome II the Terrordome (Criterion Collection) (ej svensk text) (Blu-ray) - 2
Welcome II the Terrordome (Criterion Collection) (ej svensk text) (Blu-ray)

Welcome II the Terrordome (Criterion Collection) (ej svensk text) (Blu-ray)

499 SEK
Drama från 1994 av Ngozi Onwurah med Suzette Llewellyn och Saffron Burrows.

RELEASEDATUM 2026-12-04

Ingår i kampanjen: Criterion Collection
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  • Svensk titelWelcome II the Terrordome
  • OriginaltitelWelcome II the Terrordome
  • SkådespelareSuzette Llewellyn, Saffron Burrows, Felix Joseph, Valentine Nonyela, Ben Wynter, Sian Martin
  • RegissörNgozi Onwurah
  • Inspelningsår1994
  • Bildformat1080p High Definition 1.37:1
  • LjudDTS 2.0 HD MA
  • SpråkEngelska
  • TextningEngelska för hörselskadade
  • Speltid1 tim 34 min
  • GenreDrama, Science Fiction
  • Extramaterial- New 2K digital restoration, supervised and approved by cinematographer Alwin H. Küchler, with 2.0 surround DTS-HD Master Audio soundtrack - New audio commentary featuring Küchler, director Ngozi Onwurah, and Criterion curatorial director Ashley Clark - Meet the Filmmakers: Ngozi Onwurah, a Criterion Channel original interview - Three short films by Onwurah—Coffee Coloured Children (1988), And Still I Rise (1993), and Hang Time (2001)—with a new introduction by the director - English subtitles for the deaf and hard of hearing - PLUS: An essay by poet and critic Kadish Morris
  • Releasedatum2026-12-04
  • Antal skivor1
  • Färg/svartvitFärg
  • BolagCriterion Collection UK
  • OmslagsspråkEngelska
  • EAN5061088924140
  • Artikelnr5061088924140

Beskrivning

Art.nr: 5061088924140

Ngozi Onwurah’s radically ahead-of-its-time dystopian sci-fi film Welcome II the Terrordome—the first theatrically distributed British feature by a Black woman—furiously evokes a near future in which Black people are segregated within a slum called the Terrordome, where simmering violence and anger threaten to boil over in the wake of a young boy’s murder. Named after an incendiary single by Public Enemy, the film uses its rap soundtrack to both comment on and drive its narrative, part of a sensibility in which American, British, and African cultures collide and the past, present, and future collapse. In this prescient work, Onwurah builds a visionary, Afrofuturist cosmology that connects the history of slavery to modern-day systemic racial brutality.
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