Abbas Kiarostami is indubitably one of the most important film-makers in the world, and this, his second made outside Iran, is set in Japan.
A student moonlighting as an escort goes to visit a client who is more interested in talking, and who the next day takes on the role of her grandfather when confronted by her jealous boyfriend.
It pays homage to the tradition of Ozu, but is very much a typical Kiarostami work with its oblique narrative, mistaken and assumed identies, and masterful sleights-of-hand upending the audience's assumptions.